To what extent do new technologies require us to rethink and reconfigure the Music Industry as plural and chaotic, rather than singular and homogenous?

Order Description

Reading List
Alderman, J. (2002) Sonic Boom. Napster, MP3, and the New Pioneers of Music Fourth Estate,

Bayton, M. (1998) Frock rock: women performing popular music Oxford, Oxford University Press,

Blake, A. (1992) The Music Business, Batsford

Blake, A. ed., (1999) Living Through Pop Routledge Brackett, D. (1995) Interpreting Popular Music Cambridge, Cambridge University Press,

Bradley, I. (1992) Understanding RocknRoll. Popular Music in Britain 1955-1964 Open University Press,

Burns, L. & Lafrance, M. (2002) Disruptive Divas: feminism, identity & popular music London ; New York, Routledge,

Frith, S. (1997) Performing Rites. On the Value of Popular Music, Oxford University Press

Frith, S. and A. Goodwin, (eds.) (1990) On Record. Rock, Pop and the Written Word, Routledge

Gilbert, J. and Pearson, E. (1999) Discographies. Dance Music, Culture and the Politics of Sound Routledge

Hall, S. et al (1997) Doing Cultural Studies. The Story of the Sony Walkman Sage

Kent,N.(1994) The Dark Stuff. Selected Writings on Rock Music1972-1993,Penguin

Laing, D. (1985) One Chord Wonders: power and meaning in punk rock Milton Keynes, Open University Press,

Lipsitz, G. (1994) Dangerous Crossroads: popular music, postmodernism and the poetics of place London : Verso,

MacDonald, I. (1994) Revolution in the Head. The Beatles\’ Records and the Sixties, Fourth Estate

Malbon, B. (1999) Clubbing. Dancing, Ecstacy and Vitality Routledge

Middleton, R. (1990) Studying Popular Music, Open UP

Moore, A. F. (ed.) (2003) Analyzing Popular Music Cambridge, Cambridge University Press,

Murray, C.S. (1989) Crosstown Traffic. Jimi Hendrix and Post-War Pop Faber

Negus, K. (1995) Producing Pop Edward Arnold,

Oliver, P. (ed) (1990) Black Music in Britain: essays on the Afro-Asian contribution to popular music Milton Keynes, Open University Press,

Redhead, S. (1990) The End of Century Party Manchester UP Reynolds, S. (1998) Energy Flash. A Journey through Rave Music and Dance Culture, Picador

Reynolds, S. and J. Press, (1995) The Sex Revolts. Gender, Rebellion and Rock\’n\’Roll, Serpent\’s Tail

Savage, J. (1991) England\’s Dreaming. The Sex Pistols and Punk Rock, Faber,

Sharma, A. and S, and J. Hutnyk, (eds.) (1996) Dis-Orienting Rhythms. The Politics of the New Asian Dance Music Zed,

Shuker, R. (1998) Key Concepts in Popular Music London, Routledge, Swiss, T. & Horner, B. (eds.) (1999) Key terms in popular music and culture Malden, Mass., Blackwell,

Swiss, Thomas, Sloop, John & Herman, Andrew (1998) Mapping the Beat: popular music and contemporary theory Oxford, Blackwell,

Thornton, S. (1995) Club Cultures, Polity Press

Toynbee, J. (2000) Making popular music: musicians, creativity and institutions London,

Arnold, van der Merwe, P. (1991) Origins of the Popular Style, Cambridge UP

Warner, T. (2003) Pop Music- Technology and Creativity Ashgate

Whiteley, S, (ed.) (1996) Sexing the Groove. Gender and Popular Music Routledge

Whiteley, S. (1992) The Space Between the Notes. Rock and the Counter-Culture, Routledge
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